The 2024 IPTC Photo Metadata Conference takes place as a webinar on Tuesday 7th May from 1500 – 1800 UTC. Speakers hail from Adobe (makers of Photoshop), CameraBits (makers of PhotoMechanic), Numbers Protocol, Colorhythm, vAIsual and more.

First off, IPTC Photo Metadata Working Group co-leads, David Riecks and Michael Steidl, will give an overview of what has been happening in the world of photo metadata since our last Conference in November 2022, including IPTC’s work on metadata for AI labelling, “do not train” signals, provenance, diversity and accessibility.

Next, a panel session on AI and Image Authenticity: Bringing trust back to photography? discusses approaches to the problem of verifying trust and credibility for online images. The panel features C2PA lead architect Leonard Rosenthol (Adobe), Dennis Walker (Camera Bits), Neal Krawetz (FotoForensics) and Bofu Chen (Numbers Protocol).

Next, James Lockman of Adobe presents the Custom Metadata Panel, which is a plugin for Photoshop, Premiere Pro and Bridge that allows for any XMP-based metadata schema to be used – including IPTC Photo Metadata and IPTC Video Metadata Hub. James will give a demo and talk about future ideas for the tool.

Finally, a panel on AI-Powered Asset Management: Where does metadata fit in? discusses teh relevance of metadata in digital asset management systems in an age of AI. Speakers include Nancy Wolff (Cowan, DeBaets, Abrahams & Sheppard, LLP),  Serguei Fomine (IQPlug), Jeff Nova (Colorhythm) and Mark Milstein (vAIsual).

The full agenda and links to register for the event are available at https://iptc.org/events/photo-metadata-conference-2024/

Registration is free and open to anyone who is interested.

See you there on Tuesday 7th May!

We were proud to be involved at last week’s Metadata Exchange for News interoperability demo organised by DPP (formerly known as the Digital Production Partnership).

DPP’s “Metadata Exchange for News” is an industry initiative aimed at making the news production process easier.

The DPP team looked around for existing standards on which to base their work, and when they found IPTC’s NewsML-G2, they realised that it exactly matched their requirements. NewsML-G2’s generic PlanningItem and NewsItem structure meant that it could easily be used to manage news production workflows with no customisation required.

We were treated to a demo of a full news production workflow in the DPP’s offices at ITV in London on February 6th.

A full news production workflow

As you can see from the diagram, the workflow involves these steps:

• An editor creates a planning record for a news item using Wolftech’s planning system, describing metadata for the planned story
• The system sends the planning item as NewsML-G2 to Sony’s XDCAM Air system which converts it to Sony’s proprietary planning metadata and sends it directly to a camera
• XDCAM Air retrieves the footage from the camera, links it to the planning metadata using the NewsML-G2 IDs, back into XDCAM Air which is then retrieved by some simple custom web services
• The web services send NewsML-G2 NewsItem metadata along with the MP4 video file to Ooyala’s Flex Media Platform via an Amazon Web Services S3 bucket
• Ooyala Flex Media Platform sends the media and metadata to the platforms that require it, in this case the Reuters Connect video browsing and distribution platform.

The NewsML-G2 integrations were built for the demo but the idea is that they will soon become standard features of the products involved. All parties reported that implementing NewsML-G2 was fast and fairly painless!

Thanks to all involved and special thanks to Abdul Hakim of DPP for leading the project and organising the demo day.

Look out for an IPTC Webinar on this topic soon!

IPTC’s Photo Metadata Working Group has released the Cultural Heritage Panel plugin for Adobe Bridge, which focuses on fields relevant for images of artwork and other physical objects, such as artifacts, historical monuments, and books and manuscripts.

Sarah Saunders and Greg Reser, experts from the cultural heritage sector, conceived the IPTC Cultural Heritage Panel to address needs of the photo business and growing community of museums, art foundations, libraries, and archive organisations. Furthermore the panel fills a gap: Many imaging software products, including Bridge, do not support all metadata fields of the IPTC Photo Metadata Standard 2016 for artwork or objects.

The artwork or object fields – a special set of metadata fields developed by IPTC a few years ago – describe artworks and objects portrayed in the image (for example, a painting by Leonardo da Vinci). This means that descriptive and rights information about artworks or objects is recorded separately from information about the digital image in which they are shown. Multiple layers of rights and attribution can be expressed  – copyright in the photo may be owned by a photographer or museum, while the copyright in the painting is owned by an artist or estate.

The new plugin for Bridge (CC versions up to 2016 and CS6 were tested) allows people to view the image data, and write into these fields using a simple panel, which has been tailor-made for use in the heritage sector. The panel includes fields for artwork/object attributes and also relevant digital image rights.

“The Cultural Heritage Panel will be very useful for people working in the heritage sector in museums and archives,” Saunders, a consultant specialising in digital imaging and archiving. “It allows them to manage and monitor data about objects and artworks that is embedded in the IPTC XMP fields in the image.”

The panel is especially helpful for small organisations without digital asset management systems, and large organisations with many individual contributors – all of whom may enter metadata into the standard fields using Adobe Bridge, said Reser, a metadata analyst for the University of California, San Diego, who wrote the JavaScript code for the project.

“The metadata can then be transferred into an organisation’s digital asset management system; the panel helps ease the ingest process,” Reser said.

Reser also noted that the panel helps incorporate more people into workflows, such as freelance photographers, who otherwise may not have access to an organisation’s digital asset management system. The Cultural Heritage Panel allows them to be an efficient part of the process of viewing the metadata included with an image, and adding to it when appropriate.

“IPTC is the most popular schema in embedded metadata,” Reser said. “Over time I bet we’ll see a lot of the cultural heritage fields creep into off-the-shelf programs and software.”

The panel is free, includes an easy-to-use interface, and includes key image administration fields. Image caption and keywords can be automatically generated from existing Artwork or Object data.

Download the IPTC Cultural Heritage Panel and User Guide for Adobe Bridge.

Questions? Contact us.
Twitter: @IPTC
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IPTC has published an updated Photo Metadata User Guide, for photographers, photo editors and professionals responsible for in-house metadata workflows, including digital asset management (DAM) systems.

Based on IPTC’s widely used Photo Metadata Standard, the new User Guide contains practical information regarding photo metadata – from photographers familiarizing themselves with basics, to managers in related businesses who have a deeper understanding of implementation of standards and metadata.

A key use of metadata is to describe the content of an image, location and rights information; the guide groups metadata fields according to information types. “The User Guide will help when deciding where metadata should be put about a certain topic, and what data should or should not be filled into a specific field,” said Michael Steidl, managing director of IPTC, and lead of IPTC’s Photo Metadata Working Group.

IPTC sets the industry standard for administrative, descriptive, and copyright information about images. The IPTC Photo Metadata Standard, supported by many software applications, is the most widely used standard because of its universal acceptance among photographers, distributors, news organisations, archivists, and developers.

The Photo Metadata User Guide walks users through the major groups of metadata, and for each IPTC field contained within each, it provides short guidelines on the use and semantics.

The first section of the guide outlines practical use for a basic understanding of applying photo metadata, and may be most helpful to photographers becoming familiar with adding it to their photos for the first time. Photo metadata is key to protecting photographers’ images, including copyright and licensing information online.

The User Guide addresses typical questions such as: 

• What is a minimum set of fields to be used?
• How is metadata preserved?

Five examples of metadata for independent, staff, and agency photographers plus images of artwork are given.

Photo metadata is also essential for managing digital assets. Detailed and accurate descriptions about images ensure they can be easily and efficiently retrieved via search, by users or machine-readable code. This results in smoother workflow within organisations, more precise tracking of images, and potential for licensing opportunities.

For professionals responsible for in-house photo metadata workflows and DAM systems, all IPTC metadata fields in the User Guide have been grouped by topic for easy reference: general description, persons, locations, things shown, rights and licensing information, and administrative data.

The User Guide does not focus on the user interface of a specific software, and will be updated regularly to include more details.

For questions about the Photo Metadata User Guide or about becoming involved in IPTC’s work: Contact us.
Twitter: @IPTC
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